Subtitles

Circuit en español? Yes, that's right!

Over the summer, we've been busy translating the film into Spanish.

Does this mean Circuit is taking a trip? Wait and see. We just might be working on something ...

DVD cover and update

It has been quite a while since our last post here. Sorry about that. 2010 has been flying by.

Circuit has had several small, private screenings as of late. We've also relaunched the film's website, with a plan, in the upcoming months, to begin streaming portions of the film online. Our hope is to include not only sections of the finished film, but also storylines left on the cutting room floor. An expanded experience, if you will.

Oh, and we've finally designed our first DVD case:

Though we don't have the movie for sale quite yet on the site (we're still submitting to film festivals), look for it to become available soon.

The little details ...

There are a lot of little details that go into making a movie, things you wouldn't normally think of when you're an audience member, sitting in the theater. A prime example of this is the milk container used in the Christine/Taste segment. Seeing as the milk is supposed to be "bad" in every sense of the word, we decided to design our own label, create our own milk company, just for the film. Here's the final product, which you can see for about 1/2 a second in the movie.

Storyboard to Screen: Taste

Long before filming began on Circuit, Andrew drew up images of every shot in the movie. However, these were not your typical storyboards. Instead of turning the movie into a comic book (for lack of a better term) for the crew to use when filming, these images were more blueprints, and involved camera placement (often drawn right into the image), lighting breakdowns, and even specialized equipment needed to achieve the shot.

Here's a small snippet of Andrew's drawings, taken from the "taste" storyline. It revolves around the character Christine. Near the end of her story, she has an emotional breakdown in her bathroom before going to bed:

As you can see, the first panel stays fairly true to its movie counterparts. But the second panel is far different than the movie image that accompanies it, though it still follows the camera movements that Andrew originally drew.